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There’s more than one way to pull off motion tracking in After Effects. Here’s a few of them!
The face tracker is an innovative tool that Adobe introduced with its 2015 After Effects CC release and it enables you to track faces very accurately. You can then use masks or different effects on the track region to bring your editing to a whole new level This feature is great for tracking videos and How to Use The Facetracker Tool Inside After Effects Read More ». In this tutorial you will learn how to track objects on and around faces using just after effects and Videolancer's AE Face Tools plugin. This plugin is available for purchase at the envato store! Face Tracking Tutorial After Effects. Just a quick tutorial on how to transform your eyes into Meth Eyes using Mocha for planar tracking and After Effects.If. #element3d #facetracking #nps3dFace Tracking Master Class After Effects & Element 3D Project fileIn this tutorial you will learn how to create some face.
After Effects is a fantastic tool for VFX work. This is especially true for motion tracking. However, the tracker you use to motion track your footage might not be the best choice depending on your specific clip. Let’s take a look at six different ways to execute motion tracking in After Effects and discuss when certain tracking features should and shouldn’t be used.
1. One Point Track
When to Use It: Very quick 2D tracking situations centered around a single point with no warping.
The single-point tracker built into After Effects has long been a go-to tool for motion artists, but you need to be careful with single-point tracks because footage doesn’t normally shake in 2D space only. After Effects uses contrast to find track points, so you’ll need to make sure you set your tracker on a well-defined point. If you’re in a rush, one-point tracking will work, but for most professional circumstances, you’ll want to at least use two-point tracking.
In this tutorial from Live Tech Australia, we take a look at how to use the single-point tracker in After Effects.
2. Two Point Track
When to Use It: On footage with mild to moderate levels of camera shake.
Two-point tracking is fantastic for simple camera movements, as long as there are a few contrasted elements for the tracker to track. Two-point tracking is notably superior to single-point tracking because it can track rotation and scale, not just position.
This video from Robert’s Productions shows us how to use two-point tracking to add text to a scene.
3. Corner Pin Track
When to Use It: Basic screen replacement.
If you do a lot of commercial or sci-fi work, then you probably do a lot of screen replacements. In order to help make screen replacements easier, After Effects has a built-in corner pin tracker that is designed to work with any four point surface. While it’s designed to work with screens, it can also work with picture frames, signs, and simple surfaces. In this video tutorial from LinkTCOne, we take a look at how to use the corner pin tracker to replace a picture frame in After Effects.
4. 3D Camera Tracking
When to Use It: Matte painting, set extensions, and compositing.
One of the most powerful features to hit After Effects in recent years is the 3D camera-tracking tool. The tool essentially automatically creates dozens of track points in your footage and allows you to select which ones to use after the computer processes the footage. This is your best tracking option directly in After Effects. However, the 3D camera tracker can take quite a while if you have a long clip.
This tutorial from thevfxbro shows us how to use the 3D camera tracker to ‘composite’ a Christmas tree into a shot.
5. Planar Tracking Using Mocha
When to Use It: Advanced tracking on flat surfaces.
If you have a very difficult-to-track flat surface, then the planar tracking feature in mocha Pro is the way to go. Unlike After Effects, mocha Pro will use predictive tracking to track the position of an object even if a portion of the tracked object is offscreen. Tracking data can then be exported from mocha into After Effects.
This quick video tutorial from short-form video shows us how to planar track in mocha.
6. Spline Tracking
When to Use It: Complex camera tracking jobs.
If you’ve exhausted all of the other options on this list, or simply want the most accurate track possible, then spline tracking in mocha Pro is the way to go. Spline tracking can track any type of shape because you custom create the tracking plane. Essentially, you trace around the object you want to track and mocha will try its best to keep track of the object. Data can then be exported to After Effects.
This tutorial from mocha planar tracking & vfx tools shows us how to use spline trackers to do beauty retouching in After Effects.
Have any other tips for motion tracking in After Effects? Share them in the comments below!
Face Tracking With After Effects
An applied preset with a mask is not displayed or is not located on a face
Make sure you are using the latest version of the preset package.
Presets with a Mask or presets from the Makeup category do not work
If you use AE Face Tools in After Effects CC 2018, then, unfortunately, some presets do not work correctly in this version. In this case, please upgrade your version of After Effects to the current one.
How to apply presets to multiple faces on the same footage
For each face, you need to make tracking on a separate layer.
For example, if you have two faces in a footage, do the following:
1 Make tracking for a first face and apply a preset to it.
2 Duplicate the face footage layer and delete all the data from the previous tracking, including the mask and the marker “Rest Pose” from it.
3 Make tracking for a second face.
4 Make sure you select the second face footage layer and then apply a preset to it.
Error: For this preset, you need to select the layer with tracked face
Make sure that you have completed all the necessary steps for face tracking in After Effects.
You can find step-by-step guide in the Motion Bro section: Packs > AE Face Tools > HOW-TO-USE
Adobe Eye Tracker
The most common mistake is that the user skipped Step 6: Set Rest Pose > Extract & Copy Face Measurements